The poster as an object was born at the same time as the cinema, and as the cinema became an industry, producers and distributors appropriated it and placed it under their control.Providing us with our first view of a film, the poster advertises it outside a theatre and tries, with varying degrees of skill, to lure the audience inside.
The poster as an object was born at the same time as the cinema, and as the cinema became an industry, producers and distributors appropriated it and placed it under their control.Providing us with our first view of a film, the poster advertises it outside a theatre and tries, with varying degrees of skill, to lure the audience inside.
In this film we see the artist, alone with the filmmaker, working on a very large drawing, 225x165cm in size. He begins it in the whiteness of the immense canvas covered with paper, the filmmaker following his work through to completion. Velickovic talks about himself as he draws. He reflects out loud on the composition of the work and the elements he's drawing, sharing his doubts, reflecting on the progress of the drawing and its composition.
He is one of the famous surrealist painter of the 20th Century. Find out why.
Where do the soul-searching images of the First World War come from? Not merely telling the war, but seeing it, showing it in flesh and blood: this is what graphic novels offer us today. Exploring archives and history, the authors in this program converse with the depth of Time. They make First World War live again in our imagination: their drawings are more than strokes. These major artists have made the War the main subject of their graphic tales.
Where do the soul-searching images of the First World War come from? Not merely telling the war, but seeing it, showing it in flesh and blood: this is what graphic novels offer us today. Exploring archives and history, the authors in this program converse with the depth of Time. They make First World War live again in our imagination: their drawings are more than strokes. These major artists have made the War the main subject of their graphic tales.
Where do the soul-searching images of the First World War come from? Not merely telling the war, but seeing it, showing it in flesh and blood: this is what graphic novels offer us today. Exploring archives and history, the authors in this program converse with the depth of Time. They make First World War live again in our imagination: their drawings are more than strokes. These major artists have made the War the main subject of their graphic tales.
Where do the soul-searching images of the First World War come from? Not merely telling the war, but seeing it, showing it in flesh and blood: this is what graphic novels offer us today. Exploring archives and history, the authors in this program converse with the depth of Time. They make First World War live again in our imagination: their drawings are more than strokes. These major artists have made the War the main subject of their graphic tales.
Where do the soul-searching images of the First World War come from? Not merely telling the war, but seeing it, showing it in flesh and blood: this is what graphic novels offer us today. Exploring archives and history, the authors in this program converse with the depth of Time. They make First World War live again in our imagination: their drawings are more than strokes. These major artists have made the War the main subject of their graphic tales.
